I've spent ten years helping artists, galleries and institutions realise complex work, through my practice JAB. I'm also the founder of MOOP, a living map of art and cultural objects.
Immersive woven installations
The finished room at Bow Arts Trust, January 2025 · Behind the scenes, pre-show, May 2025 · Aesop windows for Chelsea in Bloom, May 2025. Works by Darcey Fleming. Video: Jack Baker.
Installation
Installing Darcey Fleming's large-scale woven works: an immersive room at Bow Arts Trust, Aesop's windows for Chelsea in Bloom, and several displays at the Sarabande Foundation.
Testing Ground (2022) and AI: Who's Looking After Me? (2023–24)
AI: Who's Looking After Me?, 2023–24 · Testing Ground, 2022, during install and live. Photos and video: Jack Baker.
Installation andtechnical delivery
Installing immersive exhibitions at King's College London's public gallery, combining projection, data mapping, light and sound.
Frieze Masters, London
Installation view of Marlborough's booth at Frieze Masters, 2023. Courtesy of Marlborough.
Led and coordinatedinstallation
Led and coordinated the install of Marlborough's booth, presenting work by international artists to a tight fair schedule.
El Anatsui: Material Wonder
Works by El Anatsui, October Gallery, 2019. Photos: Jack Baker.
Registrar andinstallation lead
Led the installation of El Anatsui's large-scale metal wall sculptures, which are shaped by hand as they are hung.
As the gallery's registrar, I helped organise transport, shipping and logistics for each show, including having works fabricated or printed for exhibition.
I also led installs for shows featuring Romuald Hazoumè, Sokari Douglas Camp, LR Vandy, Alexis Peskine, Eddy Kamuanga Ilunga and Benji Reid.
I founded MOOP, a living map of art and cultural objects: where they were made, where they are now and the journeys in between. I led its Innovate UK Creative Catalyst research project and built the working prototype.